Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Ingle, Arthur Miller, Edward Albee

Don't use your conscious past. Use your creative imagination to create a past that belongs to your character. I don't want you to be stuck with your own life. It's too little." "You must get beneath the words before you can say them. The text must be in you. It is your job to fill, not to empty the words. They can only be used if they come out of what you need to say." -Stella Adler From one the most celebrated and influential acting teachers of her time, of all time, whose generations of students include Marlon Brando, Anthony Quinn, Eva Marie Saint, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, Peter Bogdanovich, Mark Ruffalo-the long-awaited companion volume to her book on the master European playwrights Ibsen, Strindberg, and Chekhov ("Evidence," wrote John Guare, "that Stella Adler is hands down the greatest acting teacher America has produced. Nobody with a serious interest in the theater can afford to be without this book") . She was a force of nature, an unforgettable personality. Once, when she walked into a crowded room and her presence caused a hush to fall over it, a little girl asked, "Mommy, is that God?" Adler saw script interpretation as the actor's profession ("The most important thing you can teach actors is to understand plays") . Her classes of script analysis became legendary; brilliant revelations of the playwrights, the characters, the social class and the time of the play as opposed to one's own. Adler explored how to find the ideas and experience them; how to search for the soul, for what is unsaid; all of this as a way of building craft as distinct from talent. Her new book, brilliantly edited by Barry Paris, brings together her most important lectures on America's plays and playwrights, the giants of the twentieth century, men she knew, loved, and worked with. Adler considers, among them, Eugene O'Neill, "Mourning Becomes Electra"; his first play, "Beyond the Horizon"; and his last, "Long Day's Journey into Nigh

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